Our contender klones have modern surface-mount components, which facilitate automated production and keep list prices low. https://www.thegearpage.net/board/index.php?threads/1434114&highlight=klone+timmy. It does not nail the klon nor is it suppose to. Build Your Own Clone and General Guitar Gadgets both sell really good Blues Breaker kits for DIY-inclined guitarists, and Mooer and Snouse Electric, among many others, sell very affordable pedals that accurately clone this simple, wonderful circuit. If so, youve officially stacked its that easy. A whammy works well for this, too, if you want to use it. Germany, The Klon will be always on so technically Katana is my only clean boost that'll be there to push the OD more. You must log in or register to reply here. If Im taking my pedals on the road, then Ill probably leave my Klon Centaur at home so it doesnt get stolen. Are the highs the same? It may not display this or other websites correctly. Here are a handful of perfect pedal pairs for creative tone stacking. Is there a decent budget pedal that would push the Tumnus over the edge for solos and be heavy/crunchy and not lose mids on its own as needed? YouTube and various guitar forums can be helpful when embarking on a stacking adventure, but the only sure fire way to determine if two pedals are going to play well in your rig is by hooking them up on your pedalboard, stomping on switches, turning some knobs, and listening. Klon Centaur; Horizon Precision Drive; Boss OD-1, SD-1; Analogman King Of Tone; Timmy Overdrive; Marshall Bluesbreaker MK1; The Kemper Drive recreates all of these sought-after overdrive tones, and at the same time, goes far beyond . thanks for playing! I finally understand that the Klon sounds better being goosed itself. Are there more or less mids? It ensures the correct amount of power goes to your tip-negative keyboards and electronic devices. The secret to stacking pedals successfully is to learn what each pedal will bring to the mix and to find ways to help the pedals complement each other. I use it as a catch-all for a lot of different effects, but it has settings and algorithms in it that let you kind of stack multiple delays, so its really useful. This is a really good go-to combo. JavaScript is disabled. Your purchases also help protect forests, including trees traditionally used to make instruments. This could not be further from the truth, however. markT. There are a lot of different ways to do it, so experimentation is encouraged. How does it sound? If you try this, you'll be really, really surprised. Literally, you could spend the rest of your life trying combinations. Based on your location, we've changed your settings: By clicking Subscribe, I agree to receive exclusive offers & promotions, news & reviews, and personalized tips for buying and selling on Reverb. Running a Blues Breaker into a Klon is a fairly well-known tone recipe these days, with John Mayer being perhaps the most famous proponent of this setup. By all accounts, this attempt was very successful, and the Blues Breaker remains a classic amp-in-a-box overdrive pedal. Please check the fields highlighted in red. Might not be the awnser that you are expecting , but do you have a good amp? Im returning my ocd and picking up a Tumnus deluxe to replace it. I run my Klone ahead of my dirtier Nobels, Rat style OD's. Guitar volume knob cleanup varies from pedal to pedal, and some pedals coax your mind and fingers to work in different ways than others. Then I can stack it with the Morning Glory and get a heavy mid range boosted overdrive that's rich, it's thick, and works great on any pickup, neck bridge, or middle. Light Gain Overdrive + Medium Gain Overdrive = Heavy Overdrive. So you can use a Tube Screamer, but I personally use a Klon Centaur when Im jamming at my office. I like to use a White Elk by Wren and Cuff, which is a really cool version of a weird Big Muff clone that existed back in the day. Powered by Invision Community. Check those out. He is also the first-call session guitarist for Sweetwater Studios. These dynamic duos make an excellent place to start stacking, as they are generally a foolproof method of getting great tones right off the bat, and they can provide an excellent foundation for future tone experiments. I have both & they are completely different. The only one who's feeding anyone bull{censored} here is you. Maybe you will. Suzuki f8b specs. ahI saw rolleyes and bor, plus a challenge to call the builders, my asshole meter broke a needle. There are a number of interesting ways to set these delays up to complement each other, but the most common method is probably to set the Carbon Copy for a shorter slapback sound, while setting the DD-3 for a longer delay time and extended repeats. I typically break that rule every time I combine tremolo and reverb. It's awesome for clean tones. What I'm going to show you today are some stacking combos that I personally have used for a long time. I use a JHS Morning Glory V4 but you've got options. MXR also makes the Sub Machine and the MXR Blue Box, so you have plenty of options here. I prefer an analog delay as the quarter note front, and then I like a nice digital delay for the dotted eighth repeats. Strat Talk is the leading online community and marketplace for Stratocaster guitars. Based on the Klon Centaur, somewhere between Transparent and TS-style. The words Fender, Telecaster, Stratocaster and the associated headstock designs are registered trademarks of the Fender Musical Instruments Corporation. I was never terribly enamored of the added saturation the boost added to the Tim--more over-caffeinated OD than distortion. Mayweather vs guerrero memes. When I tap the tempo on one, both of them sync up, with quarter notes and dotted eighths. Sep 2, 2016. Used (normal wear), Play where the pros play! Privacy Policy. This is a shredding machine. **For reference, the case is bigger than my head. I've often used this for big ambient slide parts with overdrive, and I have a knob setting that works great. See giveaway details & rules or check out our past winners! If youve never tried to stack drive pedals, you owe it to yourself to give it a shot. JavaScript is disabled. Octave + Fuzz = Massive Wall of Riff Rock. Tim Pierce Premier Guitar Rig Rundown. Thank you for your request. Set the octave up with about 50% dry signal, if you have that option. ", wrong its chinese clone of rat before or after chinese rat 2. This way: Katana>TS>Timmy>Klon if you want to use the Timmy as clean boost and the Katana as a way to get more gain/compression out of the TS and Timmy. See signal flow here in attached PNG. I haven't had much luck with Klones and stacking with other dirt pedals. Finding the optimum gain staging between pedals is important. To give yourself a different set of sounds, start with a pedal that has the tonal characteristics of a specific amp, ideally one that is different from your amp. Canyon Guitars 360-701-8795 12829 Pacific Hwy SW. Lakewood, WA. For what you're doing, stacking a boost ahead of your Klon-type might be all you need. I've tried stacking overdrives, but they kept falling over, so now I just place them side by side. Designing a pedal had been on the docket for Dr. Z Amplification for a long time, but the idea only came to fruition when Dr. Z joined forces with EarthQuaker Devices'Jamie Stillman to build the Dr. Z Z-Drive. To explain this, Ill paraphrase Jim Gaffigan, Of course, cops like ambient clean guitar tone. You can turn off the overdrive and turn on your Marshall-in-a-box for instant Mick Ronson. You are using an out of date browser. Scan this QR code to download the app now. That said, it's a great, versatile pedal. whats up with klons on ebay anyway GHEY the tim is the timmy with a boost and effects loop. Fuzz + Tube Screamer = Fuzz That Cuts Through The Mix. These are two bona-fide classic dirt pedals that just happen to make beautiful tonal magic together. After many years of using the Klon to goose everything. Both of my boards have four OD pedals with a Timmy being the first in the chain. The reason I use the light gain overdrive is because I like having my first stage overdrive with no mid peak in it. The Friedman BE-OD overdrive pedal puts the intense tone of their BE100 amplifier onto your pedalboard. Here's a look at the pedals behind the sound. ~ Ludwig Gretsch Noble Cooley Tama Yamaha Pearl DW Sonor Uad, Apollo, ssl, neve, 1073, tube tech, Neumann, pro tools, logic, mpc, moog, Manley, empirical labs Drum . Hi thanks for your replies. (continue with the douch bag and asshole comments!). This topic is now archived and is closed to further replies. Long story short, you put these two pedals together, and you get the one amp to rule them all. Before I wrap up, I want to show you a few more options for pedals that have some of these multiple effects already in them, kind of a two-in-one thing. A setting that works well on its own might not be the best setting when stacked. The original Klon employed traditional through-hole parts. A Sweetwater Sales Engineer will get back to you shortly. Hey! You have this repeat falling with the rhythm of how you're playing, and then you add a modulated reverb. Molecular geometry shapes and . You can also shape it a bit more than you can the OCD with the EQ. Know What You Have, Decide What You Need Next. For a better experience, please enable JavaScript in your browser before proceeding. Yeah I like to run all my other drives into my Timmy, so thats probably how I would use it. The Blucoil 9V 670mA Power Supply is ready to rock with your favorite BOSS, Dunlop, Line 6, LR Baggs, MXR, Nobels, NUX, Orange Amps, Peterson, TC Electronic, Xotic, and Zoom effects pedals. You are using an out of date browser. Mooer's Blues Crab should be a solid budget option. Original models of the Klon have now become some of the most sought after guitar pedals ever made. Of course, purchasing a Ram's Head Muff and a Power Boost these days would be a prohibitively expensive proposition for most of us, but there are plenty of fine clones available that will do the job just as well. So I crank the drive knob up to 75%, I put the treble/tone control at noon, and then I adjust the volume accordingly, and I have a beautiful second stage breakup that's rich and full of mids. You must log in or register to reply here. You let one run quarter notes, and the one after it runs dotted eighth notes. With original hard case and all case candy. Delay + Modulated Reverb = Washy Ambience, So, its not a secret that I'm a big fan of ambient clean guitar tone. though it probably wouldnt pair with my guitar and amp very well according to the research Ive done. I don't care that the circuits are different, the end result is nearly the same. My favorite stack with a Klon circuit is the Blues Breaker circuit. It's the one that really frustrates your neighbors and makes everyone in your house hate you. These two pedals complement each other beautifully, with the Power Boost smoothing out the wild, hairy edges of the Muff, while adding some mid-range definition to help it penetrate the mix. They are both rare and very expensive, selling for upwards of $3100/2500 on sites like Reverb. Everyone gets a Klon because it's mystical and hard to get, and they use it as a clean boost, which I don't understand. Fuzz stacked into an overdrive pedal? Based on your location, we've changed your settings: Shipping Region: Jul 13, 2017. Also, I explained how to sync two delays earlier, but there are a lot of pedals out there that have that multiple delay settings built in, like the DD-500 from BOSS. One of the pedals it is known to play very nicely with is the original Marshall Blues Breaker, which was Marshall's attempt at cramming the distinctive tone of their amplifiers into a stompbox. One option is to set them up to be multiple gain stages. You are using an out of date browser. I like the Death by Audio Fuzz War, just because it sounds as big as the case looks.**. Timmy. Has CTS push-pull pots, Pushed is parallel (P90 sound), pulled is series (humbucker) both noise canceling. the are different circuits geared towards COMPLETELY different sounds-. Headroom, with each new pedal, will likely decrease. Feel free to call us toll free at (800)222-4700, Mon-Thu 9-9, Fri 9-8, and Sat 9-7 Eastern. And when you stack them, the fuzz suddenly peeks its head out from that crazy mix. It sounds like Martian food. Mimic, HSH to SSS and SSH (board little Mind). The classic bolt-on design of the Stella DW features an HSS configuration with Alnico humbucker and single coil pickups for a shimmering, articulate tone. Now, when you combine the quarter note delay into the modulating reverb, I think it's one of the best sounds out there. Personally, I would go Katana, TS, Timmy, Klon. But if you do it in a faint way, it's really, really special. The place for all things related to guitar pedals. Def keeping the OCD but 2 of the other three are gonna probably go off to Reverbland. one is all i need. Cranking the gain and volume too high on either pedal will result in a farty, muddy tone that you probably won't find very pleasing. Post-rock normally is associated with instrumental bands that deviate from popular song structure by building soundscapes and textures that reach crescendos and invoke emotions without vocals, or even speaking a word. This next one has been around for a while, since before people even started stacking pedals. Start low, and then add gain listen to how the EQ and the compression shifts. my Mandolin is 1915 1Year Newer than 1 in 1amst Photo Trade 1915 Vintage 22201 Amber Pumpkin Finish Orville Gibson Mandolin 1915 Vintage 22201 Amber Pumpkin Finish Turn the volume up, and turn the treble up so the mids comp a little bit with the treble. Now, what I like to do is take a big ol ambient reverb, like the Old Blood Noise Dark Star. Click off the Tonebender and turn on a Fuzz Face and voil! Kino treebud 24F HSH Ash Trans Black. All of these are great versions of the Klon circuit, and for what I'm using it for, you can't tell a difference. 6,400 B () LTD. SNAKEBYTE SE Baritone (See Thru Purple Sunburst) 42,000 B () unknown. Running a Tube Screamer into a RAT can yield a thick, harmonically delicious crunch when driven by the guitar's bridge pickup, or a creamy, endlessly sustaining "woman tone" when the neck pickup is engaged. Okay, in context he may have been talking about donuts, not guitars, but my point still stands. From there I have three options to pick and choose from depending on the kind of dirty sound I'm looking for. The last pedal in the stack has the biggest influence on the overall tone. A guitar player buddy of mine stacks his Klone, a Bluesbreaker clone and a Rat to good effect. TDPRI, short for Telecaster Discussion Page Reissue, is the leading online community and marketplace for Telecaster guitars. Hey! If you want to add another tone to your board, look for pedals that will complement the tones you already have. The Timmy has the gain at about just under 10 0 clock - just enough to add some warmth, a touch of grit when I strum real hard. Here, the relevant question tends to be "Rat before or after Rat? Good Luck! Thats a rule. Both the pedals I used in the demo have tap tempo, which I feel is necessary because it lets me chain these together. Hi all, I'm recently going through an extensive upgrade of my pedalboard and I have come across a wide range of options when it comes to gain pedals and the more complicated issue of stacking. Currently, after watching and reading a lot about Klon (e)s on fora . Play a chord with the pedal off. Do your homework before buying. I've got a Timmy and a Tumnus arriving tomorrow. And now Im out getting a 12 string simulater, by the time I get home it'll be to late to try. It's honestly a modern staple; this thing is on a ton of boards for a reason. A Sweetwater Sales Engineer will get back to you shortly. You can also use drive pedal stacks to change the overall character of your existing rig. Basically, you take two delay pedals and you sync them together. Strat Talk is the leading online community and marketplace for Stratocaster guitars. JavaScript is disabled. It's something that you absolutely have to try: tremolo and reverb. Stacking dimed drives often results in tubby, indistinct tone. Doesn't quite answer your question but I have an OCD version 1.7 + 2.0. The Gear Page is the leading online community and marketplace for guitars, amps, pedals, effects and associated gear. The RF is an efficient speaker and leaves very little of your amp's output behind when played. fender original tele 50s, 24 im not attacking you at all man.. just telling you to call the builders and ask them whoever that was fed you some bull{censored}! I use Klon a lot for rhythm and solos, add Timmy to kick in more overdrive/distortion. The GT-500 is a great two-in-one, and like my Double Barrel or some of these others, you have an order toggle so you can choose which side comes first. Now what's particularly interesting is that in an amplifier like this, the tremolo is after the reverb. Your fingers, your speaker(s), your power supply, your tubes, your cables every piece of your gear, put together, makes up a system and every part of the equation matters. It's rich, it's thick, it's all the things you love about the Big Muff, but it's just stronger and better. I hate it as a clean boost. Electric Guitar Gibson Fender Ibanez Yamaha PRS Guitar . Whew! Does the character of the pedal change? MXR Timmy - street price $/129 If the waitlist and the enclosure size have been putting you off pulling the trigger on a Timmy, MXR has the answer, with this downsized take on the classic formula, approved by Paul himself. Route 66. This website uses cookies to improve your experience. Does the low end shift noticeably? Stacking overdrive/gain/boost/distortion/fuzz pedals can accomplish a variety of goals. A lot of you guys might not realize that some overdrive circuits are simply gain stages cascading into each other. I also use an Xotic EP boost for stacking. You are using an out of date browser. I can never get them to behave well later in the chain. Happy stacking! Last edited: May 24, 2021. Use a lot of subs, like 75% sub octave and a little bit of high octave, which helps replicate the OT-10 setting. Stack amazingly well but dont neatly fit any of the previous categories. 6. If the OCD is bassy, two gives you bass on top of bass. As you can see (or more importantly, HEAR), stacking drive pedals is a great way to expand your tonal potential. It's wide and tall. Some good alternatives to a Morning Glory, which is a Bluesbreaker-style circuit, would be something like Paul Cochran's Timmy and the Xotic RC Booster, which are both great transparent pedals that don't color your sound. Best Electric Guitar Pedals | Spring 2023, Celebrating Earth Day: Sweetwater's Commitment to Sustainability & Social Responsibility, Shop the Rig! Oh okay, but if I leave the Klon on all the time after the OD, I won't have any pedal to give me a pure volume boost? This has gobs of delay options. Have you ever used more than one distortion pedal at a time? TC Electronic Spark Booster (has Gain option). As for those that have a contrary opinionI can't do anything about your tin ears, which is what you would have to have to make the claim that these pedals sound nothing alike. Used (normal wear), 2000s Reissue of the Classic Tube Screamer Overdrive used on countless songs. Turn your old gear into new gear with the Sweetwater Gear Exchange! Mimic, HSH to SSS and SSH (board little Mind). A few of these even fall into the category of "legendary tones," having appeared on many famous records in the classic rock canon. I mostly play indie, punk, classic rock, pop, blues. Gives you multiple options. The list of variables goes on and on. With even EQ spectrum, based on Bluesbreaker, etc. im not challenging you to do anything man.. simply said- call paul and bill ask them what their circuits are based on. By continuing to use Reverb, you agree to these updates, and to our cookie policy. So what do you guys think? Fuzz pedals add a different color palette to your overall sound but function in pretty much the same way as any other drive pedal. I run my KTR actually somewhat high - 2 o clock to 3 o clock or so. All drive pedals have an inherent sound and EQ curve. You must log in or register to reply here. Seriously though, I do it all the time. The only problem is, this kind of experimentation requires access to a wide variety of different pedals, and many players do not have that luxury. IMHO the timmy sounds like a good pedal (not what Im looking for in a boosting/od effect) the KLON sounds like its part of your amp.. paul cochrane makes some nice gear man- had the tim (which is just a timmy with an effects loop).. the KoT gets alot farther that the tim got me in all aspects.. the klon is not worth the 6-7 they are going for on ebay but they are worth the 344 that bill sells them for!! For a better experience, please enable JavaScript in your browser before proceeding. If you are stacking a given pedal often, you might find that you need to find a new setting that works well both in tandem and standalone. The trick with this setup is to keep the output of the Power Boost set modestly, to avoid excess saturation, and play through a big, clean amp with lots of headroom. Then theres The Pearl by T1M and The Browne Amplification Protein, which has a Bluesbreaker-style circuit (similar to the Morning Glory) into a Nobles-style circuit, which is a type of Screamer Klon. It really pushes other drive pedals nicely - I'm using the Timmy to push a Catlinbread DLS [ set in Supe Bassman Mode ]. The Caverns by Robert Keely has a modulating reverb setting and a delay. Some pedals are great at specific jobs. When dialed in correctly, this can be four distinct sounds: clean, dirty, heavy, or saturated. This is a tone combo that almost every guitarist recognizes as the magic blend used by Pink Floyd's David Gilmour, most notably on the Dark Side of the Moon and Animals tours, and likely in the studio as well, during the recording of his first solo outing. 144,000 . Read reviews and forum scuttlebutt. I stack OD's all the time. For those who just want to get down to business, however, or those who have other grown-up sorts of obligations that might prevent them from sitting around twiddling knobs for hours, there are a handful of proven pedal pairs that are widely known to stack nicely. That's part of the fun of it. Lol. I mostly use the amps in church, at home I'm using an Ac4tv. Klon Centaur; Horizon Precision Drive; Boss OD-1, SD-1; Analogman King Of Tone; Timmy Overdrive; Marshall Bluesbreaker MK1; The Kemper Drive recreates all of these sought-after overdrive tones, and at the same time, goes far beyond . A warm or a mid-heavy overdrive can often tame an overly raw and spitty fuzz. Your purchases help youth music programs get the gear they need to make music. eBay item number: 304918709122. With overdrive pedals, there are some really good options: you have the JHS Double Barrel, which has the Morning Glory and the screamer already in it. Of course, there are times when total cacophony may be exactly what youre looking for. All of these are great versions of the Klon circuit, and for what I'm using it for, you can't tell a difference. Stacking experiments are a wonderful way to come up with new, interesting sounds, potentially leading you to write new music, play guitar in a way you haven't before, or even find your signature tone. Any suggestions would be greatly appreciated as to which order makes more sense in general. Call 66 one 874- 92seven 71998 Fender Stratocaster master built one of a kind Senior master builder Act, Esparza build this special guitar.
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